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X-WR-CALNAME;VALUE=TEXT:Davis Center: Affective Dualities: Aleksandr Rozenbaum as a Russian Jewish Artist
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SUMMARY:Davis Center: Affective Dualities: Aleksandr Rozenbaum as a Russian Jewish Artist
DESCRIPTION:<div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><drupal-media data-entity-type="media" data-entity-uuid="b95d6cb8-be54-47bb-b967-24fb80ed9281" data-align="left" data-view-mode="hwp_small"></drupal-media>Aleksandr Rozenbaum is one of the most prominent practitioners in Russia of a musical genre known as chanson. Russian chanson finesses sympathy for the criminal outsider with an eclectic nationalism that fuses present-day patriotism with nostalgia for certain aspects of life in the Soviet Union. Rozenbaum stands out as a performer who challenges a wide range of assumptions about cultural belonging. His music and public persona are rich with startling juxtapositions: of lyrical ballads about both Cossacks and the mythic world of the Jewish criminal underworld in Odessa; of spirited defenses of current Russian military and foreign policy, as well as blistering critiques of the legacy of Stalinism; of bluntly nationalistic statements and anthems on the one hand, and sympathetic treatments of the possibilities for a genuinely hybrid Russian Jewish identity on the other. The presentation examines Rozenbaum’s evolving career in light of the negotiation of his Jewishness within the networks of Soviet and post-Soviet artistic labor.</p><p><a href="http://bennington.academia.edu/AlexandarMihailovic" target="_blank">Alexandar Mihailovic</a> is Professor Emeritus of Russian and Comparative Literature at Hofstra University, and currently teaches in the Literature program at Bennington College. He writes reviews for the online journal<em>Kinokultura: New Russian Cinema</em>, and has published articles on religious studies, nineteenth- and twentieth-century Russian and Ukrainian literature, and cultural relations during the Cold War.  He is the author of <em>Corporeal Words: Mikhail Bakhtin’s Theology of Discourse</em> and the editor of the volume<em>Tchaikovsky and His Contemporaries</em>. With Helga Druxes and Karolin Machtans, he co-edited <em>Navid Kermani</em> (2016), a volume of articles about the contemporary Iranian German essayist and novelist. His next book, <em>The Mit’ki and the Art of Postmodern Protest in Russia</em>, is under contract at University of Wisconsin Press.</p></div></div></div><div class="field field-name-field-event-speakers field-type-text-long field-label-inline clearfix"><div class="field-label">Speaker(s)<span class="field-label-colon">: </span></div><div class="field-items"><div class="field-item even"><p><a href="http://bennington.academia.edu/AlexandarMihailovic" target="_blank"><strong>Alexandar Mihailovic</strong></a>, Visiting Professor of Literature, Bennington College; Professor Emeritus of Russian and Comparative Literature, Hofstra University</p></div></div></div><div class="field field-name-field-event-sponsor field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p>Sponsored by the Davis Center for Russian and Eurasian Studies.</p></div></div></div><div class="field field-name-field-event-contact field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p>For more information, please call 617-495-4037.</p></div></div></div>
LOCATION:CGIS South Building, 1730 Cambridge Street, S153
STATUS:CONFIRMED
DTSTART:20161026T201500Z
DTEND:20161026T220000Z
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